Sunday, 29 March 2015

The Trial of a Time Lord

After the deaths of Jane Baker and Lynda Bellingham I decided to give the story that made up season 23 a re-watch. Its a story (and a season) that over the years has left me rather conflicted so I decided to put together this blog entry as I give it another viewing and try to get my head around it.

First of all a bit of history about this season, after the previous season the show was put on hiatus - eventually coming back 18 months later. Largely the hiatus ending was down to public pressure and came with a few caveats such as the show going back to 25 minute episodes, it was to be less gory with more emphasis on humour and would be cut down to 14 episodes. The episode cut meant that the stories originally planned for this season were abandoned. As a result producer John Nathan-Turner and script editor Eric Saward had to come up with something new. Essentially after this 18 month break the show was on trial and thanks to an idea by Sawards secretary they came up with a theme for the season "The Trial of a Time Lord."

Rather like "A Christmas Carol" the season would cover "past, present and future." Colin Baker would be returning as the 6th Doctor along with companion Peri played by Nicola Bryant who would bow out mid season to be followed by Mel played by Bonnie Langford. Also the "trial" element would create the season long regular characters of the Valeyard and Inquisitor who would be played by Michael Jayston and Lynda Bellingham.


The Mysterious Planet

Here's my notes from watching the first four episodes;

  • 'Am I late for something?' Robert Holmes is clearly having fun with the script.
  • I have a fondness for the opening 'evidence' shot as The Doctor and Peri's friendship has clearly grown.
  • I always giggle when I hear 'UK Habitats of the Canadian Goose.' 
  • Tony Selby is very watchable in everything he does.
  • I do like Dratho, a very good robot.
  • Lots of very good dialogue and I like the set up of the mystery.
All in all I find the opening section enjoyable and watchable, its not the modern day crash bang wallop season opener but it does what it does well. That opening model shot is a thing of beauty, things settle down into essentially what is the court room watching a few episodes of Doctor Who and it moves along lovely. At this stage script wise it feels like we're going somewhere, Robert Holmes has written a lovely little tale and Sawards set things up for the rest of the season. Even producer JNT has worked wonders bring in Tony Selby whose been in everything over the years, a Carry On star in Joan Sims and casted season regulars Lynda Bellingham and Michael Jayston. All in all a rather fun off the cuff start.


Mindwarp

I have a strange relationship with this story, its the only 6th Doctor story target novelisation I've read and I left it feeling frustrated due to Peri's fate and not really being able to follow the trial aspects of the story. 

  • Brian Blessed is brilliant, I can happily watch him in anything - well done getting him JNT.
  • Crozier is a fantastic character, he's not a villain he's just doing his job for his own purposes.
  • I like Sil and the Mentors.
  • Its good that Sil comes back, it helps build Colin's time as an era to have a recurring villain who debuted during the 6th Doctors era.
  • The surface of Thoros Beta maybe the most 80's planet in Doctor Who history.
  • Of note even if The Doctor hadn't have been taken out of time he wouldn't have been in time to stop the mind swap, weather he'd have saved Peri is another matter.
  • Possibly the best use of Colin's acting style, he's able to tip the audience visually when The Doctor is returning to normal in subtle stage ways.
I find this story muddled, the trial aspect is plugging away nicely but the 'evidence' doesn't seem to have a connection to the previous story, nothing set up in the opening four episodes is touched on. On top of that the story feels muddled, on one hand we have a story about death, torture and mind swaps then on the other hand we have Brian Blessed romping around corridors with the Mentors swapping corporate one liners. It doesn't feel like it knows what it wants to be. On top of that there are jumbled aspects of the story that I'll come back to later.


Terror of the Vervoids

I have to confess this is my favourite part of the season;

  • Well done JNT, Honor Blackman and Malcolm Tierney.
  • Agatha Christie in space, whats not to like?
  • Mel has a strong start.
  • The cliffhanger to part 2 is fantastic.
  • (Think innocent thoughts when the Vervoids are on screen)
The trial aspect is a bit odd in this story, The Doctors defence seems to be 'look how good I am at saving people.' Again the stuff set up in the opening section isn't touched upon however it seems we're moving on to a new development about the matrix being corrupted. I do love whodunits and the actual 'evidence' section is rather fun, also Pip and Jane are actually doing a bit more integrating the trial and evidence together. Mel's introduction is original, rather like a prototype River Song albeit in this case meeting her after she's met the Doctor. The strongest story of the 'evidence' provided in this season, everyone is there for a reason and the killers identity isn't as foreshadowed as had previously been attempted on the show.


The Ultimate Foe

The finale of the season, sadly Robert Holmes would pass away during the writing. As far as I'm aware Holmes wrote a draft outline for the first episode which was tidied up by Saward who then wrote a second episode based on Holmes plot line. JNT wasn't happy about the ending and Saward refused to change it, this resulted in the second episode being written by Pip and Jane Baker whilst legally not being allowed to know the contents of Sawards rejected episode. All understood? Good;  

  • Very nice to have Glitz back, I do like his double dealing.
  • Anthony Ainley is brilliant as always.
  • Shame Lynda Bellingham never makes it off the trial set.
  • Mel's time line confused me as a child but I've virtually decided The Doctor is taking her back to his future self.
  • I do rather enjoy the Matrix scenes, I'd have loved another go at Deadly Assassin episode 3 for a full episode.
In many ways this is the prototype for the modern day season finale, characters from previous episodes in the season coming back, plot points brought up earlier are explained, a season regular is revealed to have an ulterior motive and the stakes are elevated. I have a fondness for episode 13 and maintain its a good one however episode 14 feels unsatisfactory, I like what we get but I want more for the culmination of 14 episodes. Its a good little story if you view it in isolation however I haven't and I come away from the final episode feeling frustrated.


My Personal Bugbears

I have a number of issues with Trial and they can be summed up in two words; Eric Saward. I will say I like and rate highly most of his stories however as a script editor (in Colin's era) I think he's found wanting. On top of that on a personal level, whenever I've heard or read his comments about anything there's one thing that comes up over and over again: whenever something goes wrong its always somebody else's fault. Either Colin, JNT, writers needing to much script editing (?!?!) and casting decisions which he doesn't understand. With regards to 'Trial' the trial aspect isn't even his idea, its his secretaries which he goes with as he has nothing else. An anecdote that pops up a lot is Colin reading the Mindwarp script and having no idea if The Doctor is feigning villainy or if the Matrix is lying. Understandably he asks Saward who replies 'I don't know,' now its worrying enough that as the script editor he didn't know but what is just plain unprofessional is he doesn't ask the writer and then get back to Colin. On top of that we have the structural niggles such as a mystery being set up in the first four episodes that isn't touched upon until the final two parts.  


Four or One?

I want to address one aspect of trial, is it one story or four? I can't give you a definitive answer but I can give you my answer. As a child up until about my early twenties I viewed it as four stories, it had four different production blocks, four VHS's, four target novelisations and when I saw it on UK Gold for the first time it was spread over four weeks so it was four stories. However since I've owned the DVD I've never watched a segment of the trial in isolation, when I've dug the DVD out I've watched it over a few months as one story. So I find myself in the one story camp yet I find myself slightly infuriated with myself that I'm in this camp.


The DVD

When I bought the DVD I remember looking forward to seeing the evidence segments in isolation as three different stories. When I got the DVD I felt disappointed that this wasn't a feature and no one had thought to do an edit of the evidence into three little stories, if theres ever a reissue this must be done - or otherwise I shall sulk.

Most fans will be aware of the high quality commentaries on Who DVD's and that's no difference here. In fact Mindwarp is a must as the writer Philip Martin finally gives Colin Baker an answer to the question mentioned above. Its a fairly interesting one that actually makes sense even if it isn't spelt out on screen.


A Companion Piece

I often let lose a squee as Peri appears on screen in Mysterious Planet, her relationship with The Doctor has grown and it feels like we're visiting old friends. Nicola Bryant gets a good leaving scene (albeit ruined later) and its clear to see she enjoys it - a good extra on the DVD is her finally seeing the reset at the end and she's not happy. Mel played by Bonnie Langford follows her in the never ending line of companions and she's lots of fun - more plucky than Peri and makes a good impact. As far as I'm aware her origin story was meant to happen the following year but the change in lead actor threw a spanner in the works. A real oddity and as said earlier a nod to the slightly non linear way Doctor Who would go in the future.


Colin

The 6th Doctor has changed since his previous story, Colin's got his debut season behind him and has a bit more experience in the role now and it tells. Sixy is still boisterous and an absolute nuisance at time in the court room - understandably so but its during the evidence and when he gets out of the court room that we see this. I see a sixth Doctor that has been developed - being put through the wringer and coming out the other end smiling. I think Colin did enough to save his job and any niggles in Trial are not down to him, in order to move forward I think Saward leaving the production team was enough and as enjoyable as I've found most of the Trial I always come away feeling Colin was harshly treated.

Wednesday, 11 March 2015

Who should replace Jeremy Clarkson on Top Gear?

I've had the bigwigs from the BBC on the line asking who should replace Clarkson and I've come up with the following shortlist:

Wallace


Wallace off of Wallace and Gromit would be a good call, he's getting on a bit and set in his ways which puts him in the same demographic as Clarkson. Also on the plus side he was an interest in technology and doesn't casually insult people. The only downside is the extreme engine emissions could cause him to melt.



Cathy Dennis


Top Gear after its recent controversies should be looking to play safe, how do you play safe? You appoint someone who everyone likes and if you don't like Cathy Dennis get the hell off my blog.



Katie Hopkins


Or you could go like for like, why not replace one untalented loud mouth with another?



Gregory House


Jeremy Clarkson may be an annoying ego maniac but even he can't compare with Gregory House. House would be an ideal replacement and the only down side is that his level of extreme banter could drive the Hamster and May to spend each episode of Top Gear locked in the toilet crying.



KittyKnits


@KittyKnits off of Twitter, yes she can't drive but she has made the following claims which I think would improve Top Gear;

Come on just imagine me on driving through all the countries where there is injustice and fucking shit up BUT WITHOUT RACISM ETC

I'll be driving through Russia being all like, STOP BEING HOMOPHOBES and driving through Saudi Arabia shouting JUST YOU TRY TO STOP ME

If I got to present Top Gear, then instead of the bigotry I would just say 'vagina' frequently and make people uncomfortable that way

Well that sounds good to me!

If anything ladies and gentle readers this points out the Jeremy Clarkson is not irreplaceable and can be easily replaced. Already we have come up with ideal replacements including someone made of clay. I look forward to the next episode of Top Gear and the potential new dynamic as opposed to watching three mid life crises on my TV screen each week.

Sunday, 8 March 2015

The Big Finish Catch Up: February 2015

The Big Finish catch up marathon reaches a major milestone this month, but more on that later. For those of you new to this section of the blog, I started getting the Big Finish Doctor Who releases when they started back in 1999, getting them as they were released up to mid 2002 and release No 33 Neverland. At that time I left Uni and do to being a bit busy with life and what not I only heard one or two releases over the next few years. I started getting back into them around 2008 and was 6 years behind at that point. Due to wondering off into the Lost Doctor range, nipping ahead and getting a few releases on offer I fell further behind. In order to catch up I'm listening to two releases a month (without seeing the cover or knowing anything about the story) and my mission to catch up continues;




I'm afraid I can't say anything nice about this one, it was an absolute chore to listen to. It veers from vague to awful, it contains some of the worst dialogue I've ever heard and is padded beyond belief. I was disappointed to see Robert Ross was the writer as his debut was a powerful story and a world a way from this. It was strange to hear Evelyn as I thought "Thicker than Water" was her exit story. The one good thing I'll take a way is I've got more of Maggie Stables to enjoy. Also of note was on looking at the CD case after listening I saw we were now in 2006 and this catch up is only 9 and a bit years behind.




Now this is more like it, right from the start I knew this was going to be good, a very moody start with a medical operation about to be conducted and the TARDIS arriving in some woods. Its got to the point now whenever I hear the 7th Doctors music on a Big Finish night I'm hoping for Ace and Hex to be the companions - I haven't heard a story featuring this TARDIS crew that I haven't fully enjoyed. This is brilliant Who, an isolated community with dark secrets, the 7th Doctor knowing more than he's saying and a whodunit plot that evolves into something else part way through the story.

Its a few weeks on from listening and there are so many scenes that have vividly stayed in my memory. I'm not having to jog the grey cells to remember anything and have to say this is the best Big Finish releases I've heard in the last few months, certainly up there with Other Lives and the Benny box set. 

 I'm not too sure weather the end of the story makes sense but willing to believe a second listen will clear up the few questions I have. I look forward to hearing Edward Youngs future work if he pops up again however I don't look forward to the next time I hear someone whistle "oranges and lemons" in the dark.

Tuesday, 3 March 2015

The DVD Archives: Randall and Hopkirk (Deceased)

Over the past few months in a kick of nostalgia I've been revisiting quite a few TV shows I've not seen in a while. One of these shows includes the 2000 remake of Randall and Hopkirk (Deceased) starring Vic Reeves and Bob Mortimor as the titular characters. 



I'm quite familiar with the original as I often had it on in the background on a Friday evening when rushing through my homework so I could be free of school for the weekend. I was a fan of Vic & Bob from "The Smell of Reeves & Mortimer" and "Shooting Stars" so looked forward to it with relish. Oddly enough bar the first episode I've not come back to this since it aired so bar the odd line or scene here and there it was all fairly new to me.

To bring you up to speed the series is set around a pair of private investigators Jeff Randall and Marty Hopkirk and their detective agency. Jeannie Hurst (an early role for Emilia Fox) is the fiance of Marty and introduced in the first episode. During the case of the first episode Marty is mysteriously killed and comes back to help Jeff solve the case and bring his killer to justice. However in order to save Jeff he stays behind as a ghost to long and has to remain on Earth as a ghost which only Jeff can see and hear whilst also being able to travel to Limbo to train alongside Wyvern his spirit mentor - ably played by Tom Baker.

The show is 13 episodes long spread over two series and theres a lot to enjoy. Most of the episodes are very busy with a lot (occasionally to much) packed into the story. There are quite a few affectionate nods to the original series and as a fun east egg Charlie Higson (of The Fast Show and later Bond novels) appears in every episode as a cameo as he is also on writing, producing and directing duties. Of note is the guest cast which includes; Charles Dance, David Tennant, Hugh Laurie, Pauline Quirke, Peter Bowles, Simon Pegg, Gareth Thomas, Eleanor Bron, plus all on screen members League of Extraordinary Gentlemen and almost all of The Fast Show. Theres a lot of Doctor Who connections with Mark Gatiss and Gareth Roberts on writing duties and a guest cast that includes four Doctor Who's and one Master.

Vic and Bob are very good as the two leads, there was a bit of fuss about weather they could play straight roles but there isn't much to worry about. Vic Reeves is lots of fun and plays Marty with a wonderful frenetic feeling. Also lots of fun are his scenes with Tom Baker which are brilliantly OTT and not for fans of under acting. Bob Mortimor plays a distinctly different Jeff Randall from the original series and after a few tricky moments in the first series is on top of his game with a firm grip of his role by the second.

All in all I found this revisit unexpectedly brilliant and have come away thinking its one of the most underrated shows of the last twenty years. Do yourself a favour and give this show a watch.

Sunday, 1 March 2015

The 2015 Annual Liverpool in Crisis Wife Swapping Party

It was a cold late winter evening as the car containing Rox and Mrs Rox pulled into the drive way of Todcor Towers...



(Yes its either eleven months late or one month ealry)